This affects the amplitude of the sample, rather than the frequency content, giving a cleaner sound. A simple but different way to achieve the same effect is to modulate the Volume control found in the Amplifier module. Making a wobbly, dubstep-style bass is usually done by modulating the filter cutoff on a square wave.
A crude example would be using the Random Unipolar and Bipolar modulation sources (found in the External Sources section of the Add Modulator menu), which change their state every time a note is pressed. Organic ModulationĪdding elements of randomness to a Kontakt instrument can really bring it to life. It's ideal for filtering samples with sharp transients, such as drums, resulting in less unpleasant resonances than you'd get with a regular filter, for example. The Adaptive Resonance Filter can be used to create filter sweep effects without adding too much harshness - as the amplitude of the signal increases, the resonance is reduced to match. Sync it to host tempo or adjust the playback speed manually. Hidden inside the Other section of the Modulation menu is a 32-step modulator that works in a similar fashion to a step sequencer. So Solid CrewĪs well as super-clean digital EQ and compression algorithms, NI have included some superb emulations of classic SSL hardware processors in Kontakt's extensive roster of built-in effects - try the Solid G EQ for characterful EQ boosts, and the Solid Bus Comp to add that SSL-style snap to your transients.
#NATIVE INSTRUMENTS KONTAKT QUOTDULCIAN SOFTWARE#
Reached the limits of what Kontakt's main functions offer, or just fancy learning a bit of programming? Why not look at the Script Editor? The scripting functions included with the software can be used to customise the playability and functionality of any instrument, and even allow you to make your own custom backgrounds and controls.
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